Examining how mail art has worked across divergent cultural circumstances—from McCarthy-era America, to Soviet Poland, to Chile under the dictatorship of Augusto Pinochet—this exhibition engages issues of circulation, collaboration, and community in and among specific national contexts during the second half of the twentieth century. [18], Painter, author and illustrator Rockwell Kent donated his collection in 1969. In addition to documenting the works of many renowned American sculptors, the collection also includes a number of rare early photographs of outdoor sculpture and public monuments, artist portraits, and exhibition and installation views. The Donald W. Reynolds Center for American Art and Portraiture reopens to the public on September 18, 2020, with time entry passes required . The collection includes the sketchbooks of Palmer Hayden, Horace Pippin's illustrated journal of his military service during World War I, and photographs of Alma Thomas. Today the Archives houses nearly 2,000 oral history interviews relating to American art. Photography by … (using original records) [21], In 2009 the Archives received two major grants to further their oral history program: a $75,000 grant from the A G Foundation which established the Elizabeth Murray Oral History of Women in the Visual Arts Project destined to fund oral history interviews with important women within the American art community),[11] and a $250,000 grant from Save America's Treasures to assist with the digitization of approximately 4,000 recordings and the preservation of 6,000 hours of sound. Topics range from Mexican muralism to Surrealism, New Deal art patronage and the Chicano Movement.

The Archives of American Art’s exhibition space is located two blocks away from our D.C. Research Center in the Donald W. Reynolds Center for American Art and Portraiture (8th and F Streets NW). The Café offers a fresh and seasonal menu of Mediterranean-inspired dishes. Closing November 8, 2020. The Archives of American Art’s exhibition space is located two blocks away from our D.C. Research Center in the Donald W. Reynolds Center for American Art and Portraiture (8th and F Streets NW). Lawrence A. Fleischman Gallery in Washington, D.C. Help us keep everyone healthy! The Archives publishes the Archives of American Art Journal and curates exhibitions from its collections in the Lawrence A. Fleischman Gallery in the Smithsonian’s Reynolds Center for American Art and Portraiture and its New York Research Center.

The collection consists of the sales of every artwork sold by the gallery during Castelli's lifetime, published reviews of the gallery's exhibits, photographs, and correspondence with the many artists he represented, which included, among others, Roy Lichtenstein, Ellsworth Kelly, and Andy Warhol. The Smithsonian American Art Museum and its Renwick Gallery are now open, with timed-entry passes required for the main building. The Museum of Modern Art (MoMA) is a place that fuels creativity, ignites minds, and provides inspiration.

Archives of American Art, The Papers of Latino & Latin American Artists, 1. [13] The earliest letter in the collection was written by John Smibert in 1743, in which Smibert describes to his dealer his theories about the future of art in America. The Archives' Research Collections — spanning more than 200 years — include letters, diaries, and scrapbooks of artists, dealers, and collectors; manuscripts of critics and scholars; business and financial records of museums, galleries, and associations; photographs; works of art on paper; and oral history interviews. Illusions: The Art of Magic. Notable collections include the diary of Carlos Lopez, the sketchbooks of Emilio Sanchez, source material for Mel Ramos and research materials from Esther McCoy relating to Mexican architecture. [12], The Archives relies heavily on grants and private donations to fund the archival processing and care of collections. Organized by Curator of Manuscripts Mary Savig, the exhibition revisits a 1977 exhibition at Los Angeles’ Woman’s Building, a feminist art school, gallery, and community space founded by Judy Chicago, Sheila Levrant de Bretteville, and Arlene Raven in 1971. As a research center within the Smithsonian Institution, the Archives houses materials related to a variety of American visual art and artists. Exhibitions have included Of the Moment: A Video Sampler from the Archives of American Art, and Hard Times, 1929-1939, which examined the Great Depression's impact on American artists. Using primarily local, organic, and sustainable ingredients, the lunch menu includes salads, soups, quiche, sandwiches, and a selection of cheeses. Terra Foundation Center for Digital Collections, Guide to the Papers of African American Artists, Excerpts from the Archives’ Oral History Interviews, Publications Using Material from the Archives. Closed one hour for lunch  In 2009 the Archives received a $213,315 grant from the Leon Levy Foundation to process the André Emmerich Gallery records and a $100,000 gift from the Kress Foundation to complete the digitization of the Jacques Seligmann & Company records.

Numerous internship, volunteer, and fellowship Opportunities are also available. [19], The Archives mounts rotating exhibitions of its collections at the Lawrence A. Fleischman Gallery of the Donald W. Reynolds Center for American Art and Portraiture in Washington, D.C. In 2007, gallery owner Leo Castelli's family donated his papers to the Archives. We use Constant Contact, a third party e-newsletter service. The Archives of American Art’s exhibition space is located two blocks away from our D.C. Research Center in the Donald W. Reynolds Center for American Art and Portraiture (8th and F Streets NW). These awards are presented at the Archives' annual benefit and have been rewarded to Mark di Suvero, Chuck Close, John Wilmerding and others.

A growing number of entire collections have been digitized and are also available on the Archives' Web site as Collections Online. Washington Center

The Archives mounts rotating exhibitions of its collections at the Lawrence A. Fleischman Gallery of the Donald W. Reynolds Center for American Art and Portraiture in Washington, D.C. [14], The Archives maintain over 50 paper collections of African American artists. [6], In 2011, the Archives of American Art became the first Smithsonian business unit to work directly with Wikipedia through the Wikipedia Galleries, Libraries, and Museums project, starting by appointing the first Smithsonian Wikipedian in Residence, Sarah Stierch. Other notable collections represent Charles Alston, Hughie Lee-Smith, Jacob Lawrence, Romare Bearden and Henry Ossawa Tanner. Numerous internship, volunteer, and fellowship Opportunities are also available. The Archives of American Art’s primary exhibition space, the Lawrence A. Fleischman Gallery, can be found on the first floor of the Donald W. Reynolds Center for American Art and Portraiture in D.C.’s Penn Quarter neighborhood—also home to the Smithsonian American Art … Mail art (alternatively called “correspondence art” or “postal art”) emerged as a form of artistic practice in which an international network of participants use the mail to make art and share it with others. Read the full chronology of exhibitions organized by the Archives of American Art. Closed December 25, Admission is free, timed-entry pass to SAAM/NPG required. [17] Several key figures in Boston Expressionism, linked to Mirski, have also given oral history interviews to the Archives, including Hyman Bloom, David Aronson, Jack Levine, Marianna Pineda, Arthur Polonsky and Karl Zerbe. UPCOMING. [22], The Archives of American Art is one of nine research centers of the Smithsonian Institution. [8][10] Microfilm is no longer being produced at the Archives as it has been superseded by digitization. It also houses a collection of over 2,000 art-related oral history interviews, and publishes a bi-yearly publication, the Archives of American Art Journal, which showcases collections within the Archives. As a research center within the Smithsonian Institution, the Archives houses materials related to a variety of American visual art and artists.

Their intention was to collect materials related to American artists, art dealers, institutions and writers, and to allow scholars and writers to access the holdings. While papers and documents make up a large portion of the Archives, more unique objects have been acquired over the years. There is no public parking facility for the museum. In 2007, gallery owner Leo Castelli's family donated his papers to the Archives.

Approximately 75 works will be on view. [13], In 1958, the Archives of American Art started an oral history program with base support from the Ford Foundation and continued with support from New York State Council on the Arts, Pew Charitable Trust, the Mark Rothko Foundation, and the Pasadena Art Alliance.

Our resources serve as reference for dissertations, exhibitions, catalogs, articles, and books on American art and artists. [11], To illuminate scholarship of the history of art in America through collecting, preserving, and making available for study the documentation of this country's rich artistic legacy. The collection includes the sketchbooks of Palmer Hayden, Horace Pippin's illustrated journal of his military service during World War I, and photographs of Alma Thomas. See our collection materials on view at the Lawrence A. Fleischman Gallery in Washington, D.C. Victor Building, Suite 2200 The Archives of American Art is the world’s preeminent and most widely used research center dedicated to collecting, preserving, and providing access to primary sources that document the history of the visual arts in America. They also maintain oral histories starting in 1964.[16]. With over 16 million items in its continually growing collections, the Archives of American Art is the world’s largest and most widely used resource dedicated to collecting and preserving the papers and primary records of the visual arts in America. Pushing the Envelope: Mail Art from the Archives of American Art. It took three years to organize the collection of more than 400 linear feet. Through collecting, preserving, and providing access to our collections, the Archives inspires new ways of interpreting the visual arts in America and allows current and future generations to piece together the nation’s rich artistic and cultural heritage. Among the significant artists represented in its collection are Jackson Pollock, Lee Krasner, Marcel Breuer, Rockwell Kent, John Singer Sargent, Winslow Homer, John Trumbull, and Alexander Calder. [11] In April, 2011, the Archives received a second Terra grant of $3 million to fund another five years of digitization and technological developments, which began in 2005 with a $3.6 million grant from Terra. Monday – Friday  Their, Archives of American Art, Smithsonian Institution, Use facets and filters to explore our collections, Materials relating to our collections and more, Explore the stories behind our collections, Art-related archival materials located in other libraries and repositories, How to borrow archival materials for exhibitions, How to give your primary sources to the Archives, Exhibitions at the Lawrence A. Fleischman Gallery, See if our materials are on view near you, Guidelines for submitting scholarly articles, Terra Foundation Center for Digital Collections, Guide to the Papers of African American Artists, Excerpts from the Archives’ Oral History Interviews, Publications Using Material from the Archives.